Thrilled and excited to have a feature I wrote on UK photographer Spencer Murphy up today on Paper Journal. In it, I looked at Murphy’s series The Abyss Gazes Into You, a pretty fantastic set of images that details life on the edges of progress and documents what happens when the world keeps moving forward without you. A little excerpt:
Murphy seems to be grasping at the ominous cloud hanging in the present, obscuring the future. His work lies in the turbulent, tectonic moment where past and eternity grind into each other.
I’m really looking forward to contributing more to Paper Journal – it’s a pretty fantastic new online magazine covering contemporary photography and visual arts, and the writing on there is, to say the least, fantastic. The website has sections for features (like this), reviews of new photo and artist’s books and some killer long-form interviews with contemporary photographers.
Right now, I’m working on a similar feature on Adam Broomberg and Oliver Chanarin, a duo of artists working out of England. They won the Deutsche Börse Photography Prize this year for their absolutely incredible book War Primer 2, and are being exhibited everywhere from London to Belfast to Paris to MoMA in New York right now. Broomberg and Chanarin are simply making books and pieces that are light years ahead of anyone else, and it’s incredible to watch and write about.
More progress: proud to announce I’ll be joining the Blood of the Young team as a media/PR intern for Blood of the Young, an independent publishing house out of Toronto that works with established and emerging photographers and artists with a focus on producing hand-made artist’s books and zines. Go check them out and buy a watch or something (I have one and love it).